From the mixed reviews, it can be inferred that it is possible for the show to gather enough strength for some more seasons. Provided Netflix pays heed to the criticisms and stays true to the core concepts of the original manga while treating issues with care, all-out respect, and adaptation appropriateness. Immensely promoted for their quantizing visuals and slick cinematography, Bet was conceptualized by Simon Barry-the same mind who also gave us Warrior Nun. Dramatic lighting and insane close-ups all throughout gambling scenes yield an atmosphere of heightened tension and suspense as the psychological stakes are being asserted. Yumeko becomes friends with Ryan (Ayo Solanke), who becomes a housepet after losing a round of cards to a council member named Mary (Eve Edwards). She also meets Michael (Hunter Cardinal), who refuses to participate in the wagering madness and encourages Yumeko to do the same.
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Has performed live, unrehearsed, and off-book. He’s not dabbling—he’s building something that could easily stand on its own. In Canada, Ayo Solanke’s education took a sharper turn.
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If the first episode is any indication, episodes will consist of one face-off after another, characters giving sneering and sniveling speeches, and lots of expositional dialogue of the type that weighed down the first episode. It’s easy to categorize actors-turned-directors as restless or ambitious. In Solanke’s case, it reads more like necessity. When the roles aren’t giving you what you want, you make your own. Enter The Island—a short film that isn’t looking for mainstream applause, but one that makes its own weather in the indie space. If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here.
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That contrast gives the Bet Netflix episodes some badly needed grounding—and elevates the absurdism from cosplay to commentary. According to Ayo Solanke in a behind-the-scenes featurette, Ryan was intentionally designed as “the one kid who didn’t want to play, but had to.” That tension between survival and complicity is where the performance lives. Solanke discusses how he pushed for less exposition and more ambiguity—fewer speeches, more loaded glances. The writers obliged, letting the actor shape the emotional rhythm of scenes that could’ve easily been swallowed by stylized excess. Ten episodes seems like a lot, arguably too many, but they’re all under 40 minutes and breeze by with so much going on, especially since the outcome of the games keeps upending the social dynamics and raising the stakes.
But gambling is the very reason why Yumeko is there; in fact, right after she meets her new roommate, she bets her $10,000 that she’ll willingly switch beds by the end of the day. If you were searching for the owner of Bet9ja, we hope that your question has been answered by reading this post. And if you enjoyed it, consider sharing this post with your friends on social media with the share buttons below. This betting company is currently managed in Nigeria by KC Gaming Networks Limited and run by some other shareholders of different nationalities.
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It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect. Jonathon is one of the co-founders of Ready Steady Cut and has been an instrumental part of the team since its inception in 2017, with the leading role as Senior Editor. Jonathon has remained involved in all aspects of the site’s operation, mainly dedicated to its content output, remaining one of its primary Entertainment writers while also functioning as our dedicated Commissioning Editor.
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- Continue reading to find out more about him.
- His acting wasn’t “inspired” by his roots so much as complicated by them.
- Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time.
- Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters.
- What’s next isn’t just a continuation—it’s escalation.
- The original Kakegurui manga made its debut in 2014, with an anime adaptation lasting two seasons following in 2017 from Studio MAPPA.
- It’s a show that takes some fairly big swings and not all of it works, but I mostly loved it and I suspect most people who aren’t worried about the accuracy of the costumes will too.
- Plenty of actors turn to directing for control.
Bet is based on the acclaimed manga Kakegurui, created by Homura Kawamoto and Tōru Naomura. Since its initial serialization in 2014, Kakegurui immediately became quite popular because of its unique juxtaposition of psychology-thriller-gambling themes. We’ll be discussing the brief history of bet9ja’s owner(Kunle Soname), his current net worth, picture, state, and other details about this man below.
- Set within the grounds of an elite academy where social status is determined by underground gambling.
- Both those seasons are streaming exclusively on Netflix as of right now.
- Solanke points to the final episodes, especially the scenes where Ryan defends Yumiko or squares off with Hunter Cardinal’s character Michael, as some of his favorite to shoot.
- If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here.
- The switch from stage to screen didn’t feel like an upgrade—it felt like being thrown into a new sport with different rules.
- Ten episodes seems like a lot, arguably too many, but they’re all under 40 minutes and breeze by with so much going on, especially since the outcome of the games keeps upending the social dynamics and raising the stakes.
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- There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch.
- A good example is Bet, an adaptation of a manga about a high schooler who is a compulsive gambler going to a prep school full of people wagering their parents’ money.
- Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot.
- The characters in manga stories are designed to be over-the-top and at times are more known for their quirkiness than any kind of depth of character.
- This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.
- Let’s start with the absurdly titled Clown in a Cornfield.
Continue reading to find out more about him. There’s something almost too fitting about Solanke joining an A24 film. The indie studio has a reputation for picking actors who don’t need to shout to be heard. And Ayo Solanke’s role in A24’s Altar seems positioned to pivot him from emerging talent to serious contender—without the usual award-season desperation. Plenty of actors turn to directing for control. The film isn’t autobiographical, but it’s clearly personal—especially in how it toys with themes of isolation, duality, and the cyclical nature of choice.
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As a director and writer, he isn’t flexing genre tricks. Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions.
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Bet is representative of Netflix’s attempt to bring adaptations of manga to a global audience. While the series does provide drama with high stakes and excitement in visuals, it also delves deep into the problems of cultural adaptation. The reception of the show has shown that when it comes to adaptations, the balance between creative reinterpretation and respecting the culture of the original material becomes very important.
Anticipated Return: Bet Season 2
After staking his claim as one of the few fresh faces to make a teen drama feel dangerous again, he’s shifting gears. What’s next isn’t just a continuation—it’s escalation. From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory. They zigzag between prestige and pop, art-house and streaming spectacle. This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.
Always conduct your own research or check with certified experts before investing, and be prepared for potential losses. Opinions expressed herein are those of the authors and not necessarily those of Analytics Insight, or any of its affiliates, officers or directors. Bet has performed well in terms of ratings since its inception. According to Netflix, the series had recorded 2.4 million views internationally in 7 days and 13.7 million hours of watching, ranking ninth globally in the meantime. It has managed to stay in the top 10 in 32 countries, despite hardly any marketing efforts.
- At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions.
- There’s something quietly radical about that.
- If the first episode is any indication, episodes will consist of one face-off after another, characters giving sneering and sniveling speeches, and lots of expositional dialogue of the type that weighed down the first episode.
- Clara Alexandrova stars as the fierce student council president, Kira Timurov.
- He posts like someone who doesn’t need validation, which—ironically—makes him more worth following.
- This actually marks the second time the material has been adapted into a live-action series, with a Japanese series (also streaming on Netflix) released in 2019, starring Minami Hamabe, Mahiro Takasugi, and Aoi Morikawa.
- It’s easy to see why Netflix found the series ripe for adaptation, especially as it carried the anime and could see first hand how popular it is.
- At the heart of the story lies Yumeko Jabami, a compulsive gambler who dismantles the social order of Hyakkaou Private Academy, a school where students remain ranked according to their gambling prowess.
Behind the Scenes: Ayo Solanke’s Insights on Bet
And he does it without sounding defensive or rehearsed. Which, in a digital landscape of overly managed personas, makes him far more watchable off-screen than most of his peers ayobet link onscreen. He’s been open about how those early ensemble shows—where mics cut out and spotlights misfire—taught him how to listen for timing. Not just musical timing, but emotional timing. That instinct now shows up everywhere from his sax solos to his slow-burn monologues on screen.
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On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.
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And his filmography reads like an actor deliberately swerving past the typecasting conveyor belt. From indie horror bloodbaths to militarized shootouts and a moody short film with a philosophical backbone, Ayo Solanke’s upcoming movies and recent releases prove he’s not here to be cute on camera—he’s here to test his ceiling. This chapter dissects three key projects that show exactly how far that ceiling might go.
- It is also licensed in Nigeria by the Lagos State Lotteries Board (LSLB).
- There are actors who say they’re “into music” and mean they have a Spotify playlist with a dramatic title.
- But the human drama mostly works, largely thanks to the cast being so up for it.
- Enter The Island—a short film that isn’t looking for mainstream applause, but one that makes its own weather in the indie space.
- According to Ayo Solanke in a behind-the-scenes featurette, Ryan was intentionally designed as “the one kid who didn’t want to play, but had to.” That tension between survival and complicity is where the performance lives.
- There’s something almost too fitting about Solanke joining an A24 film.
Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles. Gambling is a way of life at St. Dominic’s, and the Student Council are the top winners at the school, led by council president Kira (Clara Alexandrova). They make the rules of the games played. The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to. Let’s start with the absurdly titled Clown in a Cornfield.
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Bet might be developing into something more compelling than a simple live adaptation. This would allow it to stand on its own for new viewers as well as longtime Kakegurui fans. As the owner of the biggest betting company in Nigeria, Kunle is no doubt one of the most influential people in the Nigerian sports industry today. However, the current CEO of Bet9ja betting company is Mr. Ayao Ojuroye and he’s different from the owner who is Kunle. Now to the main question – who is the owner of bet9ja?
The Unlikely Gambler: Solanke’s Breakout in Netflix’s Bet
Yumeko notices that Mary is cheating, and only wants to play fair. But, as we see in flashbacks to her childhood in Japan, winning money isn’t the only reason why she’s at St. Dominic’s; she wants revenge. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following. There’s no mysticism in Solanke’s Lagos Nigeria chapter—just ordinary life.
He’s just a believable teenager who happens to be stuck in a death maze with a psychotic clown—and who doesn’t miraculously develop plot armor halfway through. There’s a danger in treating manga tropes with reverence—they become parodies without punch. Solanke sidesteps that trap by playing Ryan with dissonance. In a school where everyone is high-gloss insanity, he walks like he’s just trying to get to math class without being decapitated. It’s not that he’s unaware of the drama; he’s just exhausted by it.